Dozens of new jobs are coming to The Guardian’s UK, US, and Australian offices. The publisher is investing millions to expand its audio and visual journalism and reach new audiences.
Media professionals tracking newsroom growth and digital innovation will note The Guardian’s latest move: the publisher is creating approximately 55 new permanent positions across its UK, US, and Australian offices over the next year. This hiring initiative is part of a multimillion, multiyear investment aimed at expanding The Guardian’s audio and visual journalism, as well as reaching new and diverse audiences worldwide.
The Guardian said the new roles will support a range of editorial and commercial functions, including video-first journalism, visual investigations, data visualizations, and product development. Guardian Studios, the publisher’s creative hub for video-led, personality-driven content, is set to benefit from the expansion. Additional hires will focus on video production in opinion, features, and sports coverage, with a new US video team being established. Guardian Australia will become a global center of excellence for social hosts, further developing expertise in social distribution.
Beyond editorial, the investment will also bolster product innovation, analytics, and commercial teams. James Fleetham, previously advertising director, has been named commercial director for Project Berger, which is part of the broader transformation strategy. Editor-in-chief Katharine Viner emphasized that ongoing investment in digital, visual, and experimental journalism is essential for The Guardian’s future, especially as audience habits and engagement methods continue to evolve. Chief executive Anna Bateson said the publisher is committed to maximizing the reach and impact of its journalism while ensuring long-term financial sustainability through investments in editorial, product, engineering, and commercial operations.
Founded in 1821, The Guardian is owned by the Scott Trust and operates as a global news organization with major editorial offices in London, New York, and Sydney. The publisher reported over 1 million digital subscribers and recurring supporters in 2025, reflecting its ongoing transition to a digital-first business model.
